Explore Tunisian honey produced by Adel & Aida in Zaghouan, including Orange Blossom, Cress and Wild Trilogy, or compare all three in the Discovery Set. Tunisian Honey Three honeys shaped by different flowers, landscapes and seasonal harvests in Tunisia, produced by Adel & Aida in Zaghouan. Orange Blossom, Cress, and the Wild Trilogy each reflect a different flowering environment and moment in the beekeeping year. Explore them individually, or compare all three through the Honey Discovery Set. Quick Guide Explore the Honey Collection Why These Honeys Are Different Produced by Adel & Aida Which Honey Should You Choose? Understand the Honey Beyond the Jar Choose Your Honey Explore the Honey Collection Orange Blossom Honey Collected around citrus flowering, Orange Blossom provides a clear starting point for understanding how a dominant bloom can shape a honey harvest. Explore Orange Blossom Honey Wild Trilogy A multi-floral harvest shaped by three wild flowering plants rather than a single dominant source. Thyme, sidr, and thistle come together within one honey, reflecting a more complex flowering environment. Explore Wild Trilogy Cress Honey Cress introduces another side of Tunisian honey: a harvest connected to a plant many people know as food, but rarely encounter as a source of honey. Explore Cress Honey Honey Discovery Set Rather than choosing from descriptions alone, the Discovery Set lets the three honeys be experienced alongside one another, making differences in flowering source and harvest easier to notice. Explore the Honey Discovery Set Why These Honeys Are Different Honey begins with flowering plants, place, and timing—not flavour. Orange Blossom, Cress, and the Wild Trilogy each emerge from different flowering conditions. These shape what bees forage, when the honey is harvested, and the character of what reaches the jar. The result is not a hierarchy of better or worse honeys, but distinct expressions of floral source, landscape, and season. To play, press and hold the enter key. To stop, release the enter key. Different Flowers A honey reflects the plants available to bees during a particular flowering period. Orange Blossom is associated with citrus bloom. Cress comes from a less familiar flowering source. The Wild Trilogy brings thyme, sidr, and thistle together within one multi-floral harvest. How Flowers Shape Honey Different Landscapes Flowers do not exist independently of place. Soil, elevation, rainfall, cultivated land, and wild vegetation all influence what can grow and when it can bloom. The landscape surrounding the hives therefore helps shape the conditions behind each harvest. How Landscapes Shape Honey Different Moments in the Season Honey is also seasonal. A flowering period opens, bees forage while conditions allow, and the harvest reflects that particular window. Changes between blooms and seasons are therefore part of the honey rather than differences to be removed. Understanding Seasonal Harvests Produced by Adel & Aida To play, press and hold the enter key. To stop, release the enter key. Adel and Aida are siblings and beekeepers based in Zaghouan, Tunisia. Their work follows flowering periods rather than a fixed production calendar. As different plants come into bloom, forage conditions change and each harvest takes shape around what is available at that moment. Orange Blossom, Cress, and the Wild Trilogy all come through this same producer relationship while remaining distinct expressions of different flowering environments and seasons. One producer relationship connects the collection; different blooms and harvest moments create the variation within it. Meet Adel & Aida Which Honey Should You Choose? There is no single hierarchy across the collection. The choice depends on whether you want an approachable starting point, a more complex multi-floral harvest, a less familiar flowering source, or the chance to compare all three. Start with Orange Blossom Choose Orange Blossom if you want an easy place to begin. Its connection to citrus flowering makes it the most immediately recognisable entry into the collection. Explore Orange Blossom Honey Explore the Wild Trilogy Choose the Wild Trilogy if you want to experience several flowering sources together. Thyme, sidr, and thistle meet within one harvest, making it the clearest expression in the collection of a multi-floral environment. Explore Wild Trilogy Discover Cress Choose Cress if you want something less familiar. It introduces a flowering source rarely encountered as a first reference for honey and expands the collection beyond better-known floral associations. Explore Cress Honey Compare All Three Choose the Discovery Set if the differences are what interest you most. It brings Orange Blossom, Cress, and Wild Trilogy together so they can be compared side by side rather than chosen from descriptions alone. Explore the Honey Discovery Set Still deciding? The full guide compares the collection in greater detail and helps identify the best place to begin. Which Honey Should I Choose? Understand the Honey Beyond the Jar The collection sits within a wider story of beekeeping, flowering cycles, food culture, and the physical changes that naturally occur in honey. These articles are part of a wider honey reference covering flowers, landscapes, harvests, flavour, and individual honey types. The Hidden Culture of Tunisian Honey Look beyond the jar to the place honey holds within Tunisia, from landscapes and flowering cycles to the practices surrounding its production and use. Wild Trilogy Explained Why thyme, sidr, and thistle belong together, and what a multi-floral harvest reveals about the landscape behind the honey. Raw Honey vs Commercial Honey Understand what changes when honey is processed at different scales, and what terms such as raw honey can — and cannot — tell you about what is in the jar. Why Honey Crystallizes Crystallisation is one of honey's natural physical changes. Learn why it happens, what affects it, and why different honeys do not always crystallise in the same way. Choose Your Honey Three honeys, three flowering contexts, and one set that brings them together. Choose a single harvest to explore individually, or compare Orange Blossom, Cress, and the Wild Trilogy side by side through the Honey Discovery Set. Orange Blossom Honey Price €24.00 Wild Trilogy Price €29.00 Cress Honey Price €29.00 Honey Discovery Set Price €69.00

Olive oil, harissa, honey, spices, dates, and Tunisian sweets. Products used in cooking or eaten on their own as part of everyday meals. Pantry Foods and ingredients used daily This category brings together oils, condiments, sweets, and everyday foods used across Tunisian homes. Some are used in preparation, others are eaten on their own, all part of how meals are built and finished. Where to start Start with olive oil. It’s used daily for cooking and finishing. Add harissa or spices to build flavor. Include something ready to eat, like honey or dates. Cress Honey Price €29.00 ADD TO CART Wild Trilogy Price €29.00 ADD TO CART Orange Blossom Honey Price €24.00 ADD TO CART Honey Discovery Set Price €69.00 ADD TO CART Understand the products They follow materials, regions, and ways of preparation that shape how they appear in daily life. Objects Materials Regions Artisans Delivery & support Delivery, returns, and support follow a clear structure aligned with how these objects are made and handled. You can find details through Support , delivery, and Returns .

Discover Tunisia through its people, products, knowledge, and traditions. Explore producers, artisans, stories, and products represented throughout the My Chakchouka ecosystem. Connecting People To Tunisia My Chakchouka helps people discover the people, products, knowledge, and practices that shape life across Tunisia. Explore the people behind the products, the landscapes that shape them, the knowledge that explains them, and the relationships that connect them. Explore Tunisia Products Regions People Rhythm of Life Knowledge Journal People To play, press and hold the enter key. To stop, release the enter key. People create, preserve, and pass forward the products, knowledge, and practices found across My Chakchouka. Through artisans, producers, and other contributors, visitors can move beyond the products themselves and better understand the experiences, decisions, environments, and relationships behind them. Explore People Products Products carry traces of the people who create them, the knowledge that shapes their making, the practices that sustain them, and the places from which they emerge. Through them, visitors can encounter Tunisia in a tangible way. Dark Sejnane Woman Sculpture Price €79.00 Dark Sejnane Standing Figure Price €69.00 Earth-Toned Sejnane Standing Figure Price €69.00 Painted Sejnane Woman Sculpture Price €79.00 Explore Products How It Holds Together Object Culture Material Logic Practice About Us See It In Practice Meet the people behind a product, discover what they create, and explore the relationships that shape it. To play, press and hold the enter key. To stop, release the enter key. Meet Adel & Aida In Zaghouan, Adel and Aida work with the flowering seasons and landscapes that shape each honey harvest. Meet Adel & Aida Discover Wild Trilogy Thyme, sidr, and thistle come together in a honey shaped by the flowers, landscape, and conditions of each harvest. Discover Wild Trilogy Understand How Landscapes Shape Honey Explore how landscapes influence the flowers available to bees and ultimately the character of the honey. Read the Guide From the journal Sejnane Pottery Sejnane pottery is a women-led earthenware practice from northern Tunisia. Using local clay, potters form vessels and figures by hand without a wheel before decorating, drying, and firing them. Carthage Was Here First: On Power That Does Not Disappear Explore Carthage in Tunisia, from its rise as a Mediterranean power to its destruction, rebuilding, surviving ruins, and enduring presence today. The Village Where Pottery Is Still Made Without a Wheel See how women in Sejnane, Tunisia, prepare, shape, decorate, and fire pottery by hand without a wheel through Chmissa’s living practice. Browse all articles Take Part Participation begins with attention. There are many ways to develop a deeper relationship with the ecosystem. Notice Explore the people, products, stories, and relationships that help shape life across Tunisia. Support Support producers, artisans, and practices through the products they help create and the traditions they help sustain. Participate Follow My Chakchouka’s development and discover opportunities to contribute or collaborate.

Compare four ceramic dinnerware sets handmade by Chmissa in Sejnane, from one place setting to arrangements for two, shared dishes, and hosting four. Ceramic Dinnerware Sets Ready-Made Combinations of Hand-Built Plates and Bowls These ceramic dinnerware sets bring together plates and bowls made by Chmissa in Sejnane, northern Tunisia. Each predefined combination is organised around a particular table situation: one individual setting, shared serving, an everyday table for two, or individual and shared forms for four. These are not conventional factory-standard dinnerware services composed of mechanically identical pieces. They are combinations of Chmissa’s hand-built forms, selected according to the different roles plates and bowls can perform around a table. Each set has fixed contents. Compare the four arrangements below, or build your own ceramic set if you need different quantities. Quick Guide The Four Ready-Made Sets Which Set Fits Your Table? A Set Does Not Mean Identical Pieces Made by Chmissa Caring for Your Ceramic Set Ready-Made or Custom? Frequently Asked Questions Shop the Sets The Four Ready-Made Sets Essential Place Setting: One Plate and One Bowl The Essential Place Setting is the smallest ready-made combination in the collection. The set contains 1 Zerka Plate 1 Zephyr Bowl 2 pieces in total The two forms provide distinct options within one individual setting. The Zerka Plate offers a broad central surface with rising walls. It can hold an individual meal while providing more containment than a flat plate. The Zephyr Bowl is deeper. Its height and inward volume suit meals that mix, carry sauce, or benefit from a more contained form. Together, they create one plate-and-bowl pairing without introducing pieces intended primarily for shared serving. View the Essential Place Setting Shared Table Set: Forms for the Centre of the Table The Shared Table Set is composed entirely of shared forms. The set contains 1 Hout Plate 2 Storka Bowls 3 pieces in total The Hout Plate extends the rising-wall plate form to a larger scale. Its broad central surface can hold food intended to be reached from different places around the table. The two Storka Bowls provide lower and more open forms. They can hold separate dishes or distribute the same kind of food across different parts of a table. This set is useful when individual plates and bowls are already available but additional serving pieces are needed. It is not assigned to a fixed number of diners. Its suitability depends on the food being served, the table arrangement, and the individual tableware accompanying it. View the Shared Table Set Daily Table Set: Two Individual Settings and One Shared Bowl The Daily Table Set combines two individual place settings with one form positioned for shared use. The set contains 2 Zerka Plates 2 Zephyr Bowls 1 Storka Bowl 5 pieces in total Each person receives one Zerka Plate and one Zephyr Bowl. The pairing provides both a broad rising-wall plate and a deeper bowl. The Storka Bowl introduces a shared layer between the two settings. Its lower walls and open structure keep its contents visible and accessible from more than one position around the table. This arrangement is the clearest ready-made starting point for two people who want both individual forms and one bowl for a shared dish. View the Daily Table Set Hosting Table Set: Individual and Shared Forms for Four The Hosting Table Set is the broadest predefined combination in the collection. The set contains 4 Zerka Plates 4 Zephyr Bowls 2 Storka Bowls 1 Hout Plate 11 pieces in total The four Zerka Plates and four Zephyr Bowls form four individual plate-and-bowl pairings. The two Storka Bowls provide open forms for shared dishes, while the larger Hout Plate introduces a broad central serving surface. This structure makes it possible to place individual and shared forms on the table together. It provides a defined arrangement for four without suggesting that every meal must use every piece at the same time. The set contains the exact pieces listed above. It is not a conventional dinner service containing side plates, cups, or mechanically matching pieces. View the Hosting Table Set Which Set Fits Your Table? Starting with one individual setting? Choose the Essential Place Setting. It combines one Zerka Plate with one deeper Zephyr Bowl. Adding serving pieces to tableware you already own? Choose the Shared Table Set. It contains one Hout Plate and two Storka Bowls for food placed at the centre of the table. Preparing an everyday table for two? Choose the Daily Table Set. It provides two individual plate-and-bowl pairings accompanied by one shared Storka Bowl. Combining individual and shared forms for four? Choose the Hosting Table Set. It contains four individual pairings, two shared bowls, and one larger shared plate. Need different quantities? If the predefined combinations do not correspond to your household, existing tableware, or way of serving food, [build your own ceramic set]. You can also [compare ceramic bowl sizes] and [compare ceramic plate sizes] before choosing individual products. A Set Does Not Mean Identical Pieces To play, press and hold the enter key. To stop, release the enter key. These sets are coordinated, but their pieces are not mechanically identical. Every object is built and marked by hand. Differences can therefore appear in: diameter and overall outline; wall height and openness; depth and profile; surface texture; cream, earth, grey, and black tonal distribution; line placement; geometric arrangements; execution of bird and fish motifs. The four product types remain recognisable, and every set retains its stated contents. Variation appears within those forms rather than replacing one product with another. This distinction matters when several examples of the same product appear together. Four Zerka Plates, for example, share one product identity without becoming exact copies of one another. Handmade variation does not include cracks, sharp breaks, instability, delivery damage, or an object materially different from its description. Read Handmade Ceramic Variation for a fuller explanation of what may reasonably differ between pieces. Made by Chmissa in Sejnane To play, press and hold the enter key. To stop, release the enter key. Every piece included in these ceramic dinnerware sets is made by Chmissa in Sejnane. Her work begins before a plate or bowl acquires its final form. She gathers clay from the surrounding environment and participates in the principal stages of preparing it for use. The material is broken down, cleaned, soaked, kneaded, and brought to a condition suitable for shaping. Chmissa builds each object directly by hand without using a potter’s wheel. She must judge moisture, pressure, thickness, support, and balance as the walls develop. She also works through the marking, drying, and firing stages. Her daughter may assist when a task becomes physically demanding, while family life remains close to the places around the home where Chmissa works. Chmissa learned pottery by watching her mother when she was young. She did not enter the practice through a separate formal system; she found herself participating in the work that surrounded her. Her visual language also emerges from familiarity. Birds, fish, lines, triangles, checks, borders, and repeated geometric arrangements appear across her pottery. She connects parts of this vocabulary to animals and landscapes around Sejnane and to forms once seen in Amazigh tattoo traditions. These references should not be treated as a fixed code in which every mark carries one predetermined meaning. Meet Chmissa , learn about Sejnane pottery , or follow the Sejnane pottery-making process . Caring for Your Ceramic Set Wash each piece by hand and dry it thoroughly. Avoid prolonged soaking and sudden changes in temperature. Do not place the ceramics in a dishwasher, microwave, oven, freezer, on a stovetop, or over direct flame. Store pieces securely and avoid unstable stacking. When placing one object inside another, use suitable protection between their surfaces and make sure the stack cannot shift or place excessive pressure on the lower pieces. Stop using a piece if it becomes cracked, sharply damaged, or unstable. Contact Customer Care if an object arrives damaged or if you need guidance about its condition. Read the complete Ceramic Care Guide before regular use. Choose a Ready-Made Set or Build Your Own A ready-made set is useful when its exact contents already correspond to your table. Choose one of the predefined sets when: you want one individual plate-and-bowl pairing; you need a dedicated group of shared serving forms; you want individual settings for two with one shared bowl; you need individual and shared forms for four; you are starting without overlapping pieces. A custom arrangement may work better when: your household requires different quantities; you already own some of the products; you want additional shared forms; you use plates more frequently than bowls, or bowls more frequently than plates; your everyday table and hosting table require different combinations. The Build a Ceramic Set guide helps you calculate individual settings, shared forms, and useful quantities without forcing your table into a predefined package. Build Your Own Ceramic Set Frequently Asked Questions What is included in each ceramic dinnerware set? The Essential Place Setting contains one Zerka Plate and one Zephyr Bowl. The Shared Table Set contains one Hout Plate and two Storka Bowls. The Daily Table Set contains two Zerka Plates, two Zephyr Bowls, and one Storka Bowl. The Hosting Table Set contains four Zerka Plates, four Zephyr Bowls, two Storka Bowls, and one Hout Plate. Which set is suitable for one person? The Essential Place Setting is the predefined individual combination. It contains one Zerka Plate and one Zephyr Bowl. Which ceramic set is designed for two people? The Daily Table Set provides two individual plate-and-bowl pairings with one Storka Bowl for shared use. Which set combines individual and shared tableware for four? The Hosting Table Set combines four Zerka Plates and four Zephyr Bowls with two Storka Bowls and one Hout Plate. Is the Shared Table Set intended for a fixed number of people? No fixed diner count is assigned to it. The Shared Table Set is a group of serving forms intended to accompany individual tableware. Its suitability depends on the dishes being served and the wider table arrangement. Will every piece in a set look identical? No. The pieces share recognisable forms and a related visual language, but differences in outline, surface, colour, proportions, and markings can appear because Chmissa builds and marks them by hand . Can I choose different quantities? Yes. If none of the four ready-made sets corresponds to your needs, use the Build a Ceramic Set guide and select the individual products in different quantities. How should I care for the ceramics? Wash them by hand, dry them thoroughly, and avoid prolonged soaking and sudden temperature changes. Do not use them in a dishwasher, microwave, oven, freezer, on a stovetop, or over direct flame. Consult the Ceramic Care Guide for complete instructions. Who makes the dinnerware sets? Chmissa makes every Zerka Plate, Hout Plate, Zephyr Bowl, and Storka Bowl included in these sets at her home in Sejnane. Shop the Sets Compare the current prices, availability, images, and complete product details for all four ready-made combinations. If none of these combinations fits your table, build your own ceramic set from the four individual forms. Essential Place Setting Price €75.00 ADD TO CART Daily Table Set Price €185.00 ADD TO CART Hosting Table Set Price €415.00 ADD TO CART Shared Table Set Price €105.00 ADD TO CART

Explore four hand-built Sejnane pottery forms made by Chmissa: individual plates and bowls, shared tableware, and ceramic sets for daily use. Artisan Ceramic Tableware Hand-Built Sejnane Pottery by Chmissa Four functional bowls and plates made for individual meals, shared dishes, and tables assembled over time. This artisan ceramic tableware collection brings together four forms made by Chmissa in Sejnane: the Zerka Plate, Zephyr Bowl, Storka Bowl, and Hout Plate. Each piece is built and marked by hand. Rather than repeating one object at different sizes, the collection moves between distinct roles: an individual plate, a deeper individual bowl, a low shared bowl, and a larger plate for the centre of the table. Natural differences in outline, markings, and surface tone remain visible from one piece to another. These variations arise from Chmissa’s direct way of working with clay rather than standardised production. Quick Guide Explore the Collection Need Help Choosing? Made by Chmissa Hand-Built in Sejnane Building a Table Variation, Use, and Care Explore the Wider Context Explore the Collection Zerka Plate Zerka provides a broad centre for an individual meal, while its rising walls offer more containment than a flat plate. View Zerka Plate Zephyr Bowl Zephyr offers greater depth for meals that mix, carry sauce, or benefit from a more contained form. View Zephyr Bowl Storka Bowl Storka’s lower walls and open structure keep shared dishes visible and accessible around the table. View Storka Bowl Hout Plate Hout extends the rising-wall plate form to a larger scale, providing a broad central surface for food shared around the table. View Hout Plate Need Help Choosing? Diameter alone does not explain how a piece will function. Wall height, usable interior space, depth, and openness also affect how food sits and moves within each form. Compare Zephyr and Storka in the Ceramic Bowl Sizes Guide , or compare Zerka and Hout in the Ceramic Plate Sizes Guide . Made by Chmissa To play, press and hold the enter key. To stop, release the enter key. Chmissa is a potter based in Sejnane, in northern Tunisia. Chmissa is her first name and the name by which she is publicly known. She personally makes every Zerka Plate, Zephyr Bowl, Storka Bowl, and Hout Plate in this collection. Her working environment is integrated into her home and its surroundings. Clay, water, tools, unfinished forms, fuel, vegetation, animals, and family life remain close to one another rather than being separated into a conventional studio. Chmissa learned pottery by watching her mother when she was young. The practice entered her life through proximity and repetition: seeing the work carried out, remaining close to it, and gradually finding herself doing it naturally. She now participates in every principal stage of production. Her daughter may help when a task becomes physically demanding, while her grandchildren often play nearby as she works. Chmissa’s authorship remains attached to every piece. At the same time, her practice belongs within the wider body of pottery knowledge carried by women in Sejnane. Meet Chmissa Hand-Built in Sejnane To play, press and hold the enter key. To stop, release the enter key. The making process begins before a bowl or plate acquires its final form. Chmissa gathers clay from the surrounding environment and prepares it for use. The material must be broken down, cleaned, soaked, kneaded, and brought to a workable condition before shaping begins. She builds each object directly by hand without using a potter’s wheel. Pressure, moisture, thickness, and balance must be judged throughout the build. Clay that is too wet may struggle to hold its structure. Clay that becomes too dry may resist joining or crack under pressure. The material requires adjustment as its condition changes. After shaping the form, Chmissa develops its surface through markings and applied materials. Her motifs are not calculated through a predetermined design system. They emerge from things she has grown up seeing around her. Birds, fish, other animals, lines, checks, borders, and geometric arrangements can enter her pottery through familiarity. Chmissa also associates parts of this visual vocabulary with forms once seen in Amazigh tattoo traditions. This does not mean that every line or shape carries one fixed symbolic meaning. The pottery must dry sufficiently before it is fired outdoors. Heat, smoke, fuel, ash, placement, and airflow can all contribute to differences across the finished surfaces. These stages help explain why two examples of the same product can remain recognisably related without being visually identical. Follow the Making Process Building a Table Every form can function independently. Together, the four products support different parts of a meal. Zerka and Zephyr address individual use: one broader plate and one deeper bowl. Storka and Hout introduce shared forms: one low open bowl and one larger plate for dishes placed at the centre of the table. How many pieces you need depends on the way meals are prepared, served, and shared. The collection can begin with one object and develop gradually. Choose a Prepared Set Explore ready-made combinations of Chmissa’s bowls and plates for individual dining, shared meals, and larger tables. Explore Ceramic Dinnerware Sets Build Your Own Set Choose the forms and quantities that correspond with your household, daily meals, and approach to hosting. Build a Ceramic Set Variation, Use, and Care Each piece is shaped and marked by hand. Differences in outline, rim alignment, motif placement, surface texture, and tonal distribution are therefore expected between individual pieces. The object received may not reproduce the photographed example line for line. These differences should remain within the identity and intended function of the selected product. Natural variation does not include damage or structural failure. Understand Handmade Ceramic Variation These pieces should be maintained according to the material requirements of hand-built earthenware. Careful washing, drying, storage, and gradual temperature transitions help protect their surfaces and structure over time. Read the Ceramic Care Guide Product-specific details should be consulted before use. Do not assume that every piece is suitable for a dishwasher, microwave, oven, direct flame, or sudden temperature change. For ordering, delivery, returns, refunds, and managing an order, visit Customer Care . Explore the Wider Context Meet Chmissa Learn how Chmissa’s practice developed through watching her mother, working around her home, and participating in every principal stage of pottery production. Understand Sejnane Pottery Place these objects within the wider women-led earthenware tradition of Sejnane, including its materials, forms, transmission, and continued practice. Follow the Making Process See how locally gathered clay is prepared, shaped without a wheel, marked, dried, and fired outdoors.

How seasonality in Tunisia shapes food availability, preparation, storage, and daily kitchen rhythms. Seasonality How time shapes what is available in Tunisian households Expectation Is Disciplined Certain foods are not expected at all times. When something is out of season, it is simply absent. The decision ends there. Households do not search for replacements that recreate the missing food. They move on to what is present. Desire contracts to match availability. Absence Ends the Question Markets do not promise continuity. They signal timing. When a product is missing, the absence itself is information. It removes the option without explanation. No additional effort is required. No frustration is expressed. The meal adapts. Substitution Without Emphasis When freshness ends, preserved forms take over. Dried, stored, or conserved ingredients enter meals quietly. They are not framed as lesser versions of what is missing. They are simply what exists now. Seasonality does not interrupt eating. It redirects it. Repetition Increases As availability narrows, meals simplify. The same foods appear more often. Menus contract rather than diversify. This repetition is not discussed. It is accepted as part of the year. Eating becomes predictable again. Time Is Treated as a Constraint Seasonality is not managed emotionally. It is managed structurally. Households adjust their expectations instead of trying to overcome time. What is available defines what is eaten. The calendar does not need to be explained. It is already understood. What This Makes Possible Because seasonality is accepted, food does not require constant negotiation. Absence does not create urgency. Presence does not require celebration. Time is allowed to pass without resistance. Meals continue.

What to know about entering Tunisia, visa requirements, length of stay, and maintaining legal presence. Entry & Legal Presence The legal conditions that govern entry into Tunisia and the terms under which presence is considered lawful. Entry into Tunisia is a legal act. This page clarifies how entry and presence are understood in legal terms. It does not interpret culture, recommend experiences, or replace official authorities. Its role is to reduce uncertainty. U nderstanding these conditions before arrival prevents friction, misinterpretation, and avoidable violations during stay. Purpose and Declared Intent Entry authorization is granted in relation to a stated purpose. Presence remains lawful only while that purpose is respected. When entering Tunisia, a purpose is assumed or declared. This purpose frames the conditions of entry and determines the legal scope of stay. Intent does not need to be spoken to be evaluated. It is inferred through documents, duration, activities, and behavior. When actions no longer align with the declared or implied purpose, legal status shifts – regardless of original authorization. Good faith does not replace alignment. Comfort does not extend permission. Documents and Proof Entry and stay are assessed through verifiable signals. Documents function as evidence. Authorities do not evaluate intent through conversation alone. Intent is assessed through documents that signal purpose, duration, and capacity. Documents are not symbolic. They are instruments used to confirm alignment between declared purpose and practical conditions. When documentation contradicts behavior, documentation prevails. What is presented at entry shapes how presence is read during stay. Duration, Extensions, and Overstay Lawful presence is defined not only by entry, but by time. Every authorization to enter Tunisia includes a duration. This duration sets the outer limit of lawful presence under the conditions granted. Remaining beyond this period, without formal extension or status change, alters the legal nature of presence. This shift occurs automatically. It does not require notice, intent, or justification. Time is not flexible by default. It is regulated. Situations That Require Clarification Not all forms of presence fit neatly into standard categories. Ambiguity requires resolution, not improvisation. Some situations introduce uncertainty because intent, duration, or activity do not align cleanly with a single legal category. Ambiguity does not create permission. It increases scrutiny. When a situation does not fit clearly, the responsibility is to seek clarification through formal channels before assumptions harden into violations. Official Sources and Authority Legal conditions are defined and enforced by state institutions. This page does not override them. Entry, stay, and legal status in Tunisia are governed by laws, regulations, and administrative procedures issued by competent authorities. This page provides structural clarity. It does not issue permissions, interpretations, or guarantees. When conditions change, official sources prevail regardless of prior understanding. Legal certainty exists only where authority is current and recognized. Where to Go Next Hello Tunisia Safety & Awareness Mobility & Transport Fair System Money & Cost Reality Social Norms

Eastern Interior Tunisia, defined by dry climate, strong work culture, and confidence rooted in production. Eastern Interior Work culture, dry climate, and a confidence built on production. Orientation Snapshot A region whose importance is systemic Inland production corridor anchored by Sfax One of the country’s primary economic engines Dry climate integrated into daily timing and systems Cities shaped by work, storage, and coordination Operating Conditions Daily rhythm follows work cycles and long-established routines Economic life prioritizes production, reinvestment, and continuity Movement aligns with logistics, supply chains, and habit Visibility remains secondary to reliability Social networks are dense, discreet, and internally high-trust Value is expressed through consistency Reality Pins Sfax is Tunisia’s second economic pole and a primary coordination hub A significant share of the country’s olive oil circulation passes through regional networks The port operates as a functional, bulk-oriented system Misreading Corrections Low visibility does not mean cultural absence. Function can carry more identity than image Importance does not require visibility Material & Making Implications Olive wood enters making after long agricultural use Wool and plant fibers suit limited water conditions Objects emphasize durability, repetition, and correctness Repair and reuse are embedded in normal circulation Making values continuity and reliability Handoff Materials move through production-first systems. Objects reflect discipline, patience, and earned confidence.

A collection of objects used within everyday gestures, routines, and moments at home. Rituals Handmade Tunisian objects connected to serving, sharing, preparation, and everyday rhythm. Shared Table Set Price €105.00 ADD TO CART Hout Plate Price €49.00 ADD TO CART Hosting Table Set Price €415.00 ADD TO CART Understand the objects further These objects are shaped by materials, regions, and everyday use. Objects Materials Regions Artisans How these objects make sense Some of them are obvious. Others take a moment. If you’re curious, you can follow the logic behind them — how they’re used, where they come from, and why they take the forms they do. Explore object logic

The terms and conditions governing the use of the My Chakchouka website and services. TERMS & CONDITIONS Effective date: 5 Feb 2026 Last updated: 5 Feb 2026 These Terms & Conditions govern the use of the My Chakchouka website and the purchase of products or services offered through it. By accessing this website or placing an order, you agree to be bound by these Terms. If you do not agree, please do not use the site or place an order. 1. About My Chakchouka My Chakchouka is a cultural-economic project offering objects, products and services rooted in craft, material knowledge and intentional design. Seller details: Business name: My Chakchouka Contact email: hello@mychakchouka.com Location: Tunisia 2. Scope of these Terms These Terms apply to: browsing the website, placing orders, purchasing physical or digital products, commissioning custom or made-to-order items, and any related communications. Additional policies (such as the Privacy Policy or Accessibility Statement) form part of the overall agreement. 3. Products & descriptions Handmade and unique items Many of our products are handmade or produced in small series. Natural variations in color, texture, finish or dimensions are part of their character. We make reasonable efforts to display products accurately through descriptions and images. However, slight variations do not constitute defects. Custom and personalised items Some items are made to order or personalised based on customer specifications. These products are created specifically for you and may require additional confirmation or approval before production. 4. Orders & acceptance An order is considered accepted once you receive an order confirmation email. For custom items, acceptance may be subject to written approval of specifications, designs or measurements. We reserve the right to decline or cancel an order if required information is missing, inaccurate, or if fulfillment is not reasonably possible. Any payment received will be refunded in such cases. 5. Prices & payment Prices are displayed in the currency indicated on the website and include applicable taxes where required by law. Shipping costs and any additional charges are clearly shown before checkout. Payments are processed through secure, PCI-compliant payment providers (such as Wix Payments, Stripe or PayPal). We do not store full payment card details. 6. Production & delivery Production time Production timelines vary depending on the nature of the item (ready-made vs custom). Estimated timelines are provided for guidance. Delivery Delivery times are estimates and may be affected by external factors such as carriers, customs or local conditions. Risk of loss or damage remains with us until the goods are delivered to you. If delivery is delayed beyond a reasonable period, you may contact us to discuss solutions, including cancellation where applicable. 7. Right of withdrawal (cooling-off) Standard items Where applicable under consumer law, you may have the right to withdraw from a distance contract within a statutory period (for example, 14 days in the EU, 10 days in Tunisia), starting from receipt of the goods. Exceptions The right of withdrawal does not apply to: custom-made or personalised items, goods made to your specifications, perishable goods, digital content once access or download has begun (where applicable). 8. Returns, defects & remedies Defective or non-conforming goods If a product is defective or does not conform to the contract: you are entitled to remedies provided by applicable law, which may include repair, replacement, price reduction or refund. return costs for defective goods are borne by us. Handmade variation vs defect Natural variations inherent to handmade production are not considered defects. Custom items Custom or personalised items that are defective or not produced according to agreed specifications remain covered by applicable legal guarantees. 9. Digital content & services Where digital content or services are supplied: they must conform to the contract and remain functional as required by law. necessary updates may be provided to maintain conformity. specific access or usage terms may apply and will be disclosed prior to purchase. 10. User conduct You agree not to: misuse the website, interfere with its security or functionality, submit false or misleading information, use content for unlawful purposes. 11. Intellectual property All content on this site (text, images, designs, trademarks) is owned by or licensed to My Chakchouka and may not be used without prior written permission, except where permitted by law. 12. Limitation of liability Nothing in these Terms limits or excludes liability where such limitation is not permitted by law. Subject to applicable law: we are not liable for indirect or consequential losses, we are not responsible for delays or failures caused by events beyond our reasonable control. 13. Changes to these Terms These Terms may be updated from time to time to reflect legal, operational or structural changes. The version in force at the time of your order will apply to that transaction. 14. Governing law & jurisdiction These Terms are governed by the laws applicable to the seller’s place of establishment, without prejudice to mandatory consumer protection laws that may apply in your country of residence. 15. Contact For questions, concerns or legal notices, please contact: hello@mychakchouka.com These Terms are designed to protect both our customers and the integrity of the work involved in producing meaningful, carefully made objects.